Behind the project

Origins

How a question about lost memorabilia turned into a preservation project for Phoenix's most legendary pool hall.

The Golden 8 Ball History Project began in 2024, while Alan T Miller was building a new website for Metro Sportz Bar & Billiards. During that work, he asked David Lee whether any memorabilia from the Golden 8 Ball days still existed — photographs, tournament brackets, newspaper clippings, anything from that era.

David told him it was all gone. Over the years he had lent out the best of his collection — photos, press, ephemera from two decades of running the most storied pool hall in Phoenix — and none of it ever came back. The physical record of what he built had simply disappeared.

"That felt like a wrong that needed to be righted."

— Alan T Miller

A personal connection

A night owl's refuge

Miller frequented the Golden 8 Ball in the late 1980s. A self-described night owl, he found in the room something that mattered — a place to go at two in the morning that wasn't a bar and wasn't home. Forty tables, open all night, a room where you could sit down, shoot some pool, and belong somewhere at an hour when most of the city was asleep.

That personal connection is part of what drives this project. It is not an academic exercise. It is built by someone who was there.

The disappearing record

Before the Internet, before everything

The Golden 8 Ball operated entirely in the pre-Internet era. There are no archived websites. No social media posts from the 1980s. No digital anything. For a room that was the largest pool hall in the United States — where BCA Hall of Famers played, where road players got stuck because the action was too good to leave — the public record was almost nothing. A few forum posts. A handful of scattered mentions. That's it.

This matters beyond nostalgia. The stories that exist only in living memory are the most vulnerable to being lost. When institutions like the Golden 8 Ball predate the digital era, their history depends entirely on someone doing the work to recover it, verify it, and put it into the record before the people who lived it are no longer here to tell it.

Without that work, the historical record simply has a hole where the Golden 8 Ball should be. Phoenix has a habit of moving on. Buildings come down, neighborhoods turn over, and the stories that made a place worth remembering fade with the generation that lived them. This project exists to make sure that doesn't happen here.

What this is for

Credit where it's due

David Lee built something extraordinary when he was 27 years old, and he deserves credit for it. Very few people know what it is like to create something from nothing — to take an idea and actually build it into reality. Lee did that. He built the largest pool hall in the United States. He deserves recognition for that ambition and for seeing it through, the same way anyone who goes against the naysayers and makes something happen in this world deserves recognition.

"Dave's a hell of a nice guy. He deserves to be honored for the ambition he had — and for actually seeing a vision through and making something happen."

— Alan T Miller

Danny DiLiberto helped build the room into a national destination and deserves to be remembered for that partnership, not just his tournament record. The regulars, the road players, the people who walked through those doors at 3 a.m. — they were part of something, and they should know that someone is making sure it doesn't disappear.

The goals of this project are straightforward: help David Lee recover whatever memorabilia might still be out there, preserve the historical account of a Phoenix institution for the people who were part of it, and ensure that a history which predates the Internet — and as a result is nearly nonexistent — gets the record it deserves.

This site is built on interviews, community contributions, verified public records, and personal memory. Every fact has been checked. Every name has been earned. And the work is ongoing — if you have something that belongs in this record, we want to hear from you.

Project by Alan T Miller. Phoenix, 2024.

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